Extract from Evil on the Wind
The crash of shattering glass and the sound of shouting in the street below startled Laura awake. More shouting and banging, a piercing scream and then more breaking glass. Laura sat up bolt upright in bed, her eyes wide with fear as she listened in the darkness to the uproar outside, the shouts, bangs and crashes getting nearer. People were chanting something, Laura couldn't make out what, but their voices, combining into the throaty roar of a mob, were angry and frightening.
It was dark outside, though the faint light of a street lamp gleamed through the gap in the curtains, but there was another light to, a flickering light, dancing and leaping, casting weird shadows on the ceiling. What was happening down there? What was going on?
Laura stole out of bed and crept to the window. Cautiously she lifted the corner of the curtain and peeped out. She stared down into the street in fascinated horror. A crowd was surging along the road, their snarling faces lit by the street lamps and the flaming torches some of them carried. Many brandished stout walking sticks in the air, others carried stones, bricks and iron bars. They were led by men in uniform, guns held high, urging the crowd on. The windows of the baker's shop across the way were already smashed, and its door hanging on a broken hinge. Even as she watched, Laura saw a man throw another brick, this time at the windows of the apartment above the shop. There was a cheer as the glass shattered, its shards flying inwards.
"Jews Out! Jews Out! Jews Out!" She could hear what they were chanting now as the chant grew louder, stronger as more and more people joined the crowd.
"Laura, what's happening?" Inge, her seven-year old sister asked sleepily from the other bed.
"I don't know," Laura said, shrinking back behind the curtain, but somehow unable to turn away. "There're people outside throwing stones and shouting."
There was another sound too, the crackle of flames, and Laura realised with growing horror, that the dancing light she had seen through the curtains was fire. There was smoke now, and the red and gold tongues of the flame appeared at the windows of the synagogue further up the road. Even as Laura watched, horrified, the door burst open and Rabbi Rosner came rushing out, shouting for the fire brigade. He ran straight into the crowd that bayed with delight at his terror and brandishing their sticks and hurling stones, they chased him back into the burning building.
"I don't like it!" Inge was wailing. "Where's Mutti?"
At that moment the bedroom door opened and Ruth Friedman, the girls' mother, came quickly into the room, her face white with fear.
"Laura! Come away from the window!" she cried and rushing over, dragged her daughter away. "Out of here, quickly." She scooped Inge off the bed and clutching her in her arms, pushed Laura in front of her as she hurried them into her own bedroom at the back of the house. Her husband, Kurt, was already in the room with the twins, Peter and Hans, aged just three; both were crying at having been awoken so suddenly and their father was trying to hush them. Ruth turned the key in the lock, and placing Inge on the bed, went to the twins.
"Papa, the synagogue's on fire." Laura tugged at her father's sleeve. "It's burning down, and Rabbi Rosner is inside."
"Don't worry, darling," her father put an arm round her. “He’ll have got out safely.”
“No, Papa,” Laura insisted, her eyes wide, “when he ran out some people chased him back inside. They were hitting him!”
Before her father could answer, there came a thundering on their own front door, the splintering of wood and the sound of breaking glass as the window in the shop below became the target for the bricks. Ruth drew the twins closely into her arms, and Kurt gathered the now screaming Inge against him, his other arm still firmly round Laura.
"Ssh! Ssh!" he hushed them. "It'll be all right. Mutti and Papa are here! It'll be all right."
But it wasn't. Within moments they heard heavy footsteps on the stairs, and then a voice which bellowed, "Come out, Jews! Come out dirty Jews! Come out of your holes!"
Before they could do anything, the was a crash and the door flew open, the lock hanging sideways where a jackboot had kicked it free. A tall man in storm trooper's uniform, his cap, with it’s Death’s Head badge, dark over his fair hair, stood on the threshold, a gun in his hand, towering over the family who crouched together around the bed. Behind him two others moved along the landing, kicking open the bedroom doors, and shouting down to the mob below, "Jews up here!"
"You, Jew, you're under arrest!" The first man advanced on Kurt, who pushed his daughters behind him in an effort to shield them.
"Why? What for?" It was Ruth who asked, her voice cracking with fear. "He's done nothing wrong."
"He's a Jew. He's under arrest!"
"But...." Ruth began to protest.
"Shut up!" bellowed the man, "or I'll arrest the lot of you!"
"Don't worry, Ruth," Kurt said, trying to keep his voice steady. "I'll go with him. I'm sure there's some mistake and I'll be back in no time." For a moment their eyes met, hers wide and fearful. Kurt’s strong face was calm and determined, but fear flickered behind his eyes too and seeing it, Ruth began to shake.
"You look after the children, I'll be back soon. And if not,” there was the slightest tremor in his voice, “Go to Herbert."
"Out!" The storm trooper grasped him by the shoulder and spinning him round, shoved him roughly through the door. “Out! Out!” Immediately the two men on the landing grabbed his arms, one punching him violently in the stomach so that he doubled over, groaning with pain, before they dragged him, still bent double, down the stairs.
The storm trooper, still in the bedroom, glanced across at the trembling woman surrounded by her four children. "You'll stay up here if you know what's good for you," he said coldly, and turning on his heel, stamped his way back down the stairs.
For a moment there was silence in the bedroom and then Inge began to wail again. "Where's Papa gone? I want Papa."
Ruth suppressed the cry that rose in her throat that she wanted him too, and tried to soothe the terrified children.
“Don’t cry,” she said, rocking Peter on her knee and holding Inge to her with the other arm. “Don’t cry Peter, there's a good boy. Look Hansi isn't crying. Laura, give Hansi a cuddle, he’s being very brave. Come on now, you must be brave, all of you. That's what Papa would want. We must all be brave!"
She gathered the four children close, rocking them comfortingly, and as they huddled together on her bed, she listened to shattering glass and splintering wood as the mob downstairs ransacked the shop, their voices raised in shouts of glee. Then with the bang of a door and shout of laughter, the baying mob moved onward down the street. The stillness they left behind was, if anything, more terrifying than their animal howls. What was happening down there? Had the mob moved on somewhere else? Was it safe to come out of the bedroom? Ruth went quietly across the room and opening the door, peeped out onto the landing. The apartment was empty; there was no sound from downstairs.
"You'll stay up here if you know what's good for you," the trooper had said, but Ruth could not. She had to go down, to find out what had happened.
Extract
from Death's Dark Vale
Richard Anson-Gravetty was not at home on the morning of the day that his daughter attained her majority; he was away on business and wouldn’t be back until the evening. So, when she finally made it down to the dining room, it was to breakfast alone, to open the cards from her grandparents and her cousin Andrew, in solitary state; to open the unexpected letter that waited beside her plate with no one there to see her do it.
The envelope, type-written, was addressed to her and had a Belcaster post mark, but she had no idea from whom it came. Leaving it till last, she finally slit open the envelope and drew out the contents. It was from a firm of solicitors, Brewer Harben and Brewer, with an office in Cathedral Road, Belcaster. She skimmed through it, but as its significance penetrated her mind, she started to read again from the beginning.
Dear Miss Anson-Gravetty
Allow me to congratulate you on attaining the age of majority. I write in pursuance of the wishes expressed in the will you late grandfather, Sir George Hurst. As you know he died in 1920 and left you a substantial legacy to become yours on your twenty-first birthday. As Sir George’s only grandchild, you were named as the residual legatee, the money to be invested and held in trust until you came of age.
This happy day is now upon us and I respectfully suggest that you make an appointment with me to go through the terms of the will. I am sure your stepfather has a financial advisor who will take over from me now that I am no longer your trustee, but I should certainly like to meet with you and explain my stewardship to date. I hope you will be satisfied with it.
If you would write to my secretary and arrange a time convenient to yourself I shall look forward to meeting you at last.
I remain, madam, yours very sincerely,
Arthur Brewer.
Adelaide stared at the letter and then looked at the envelope again to make sure it was really addressed to her. It was. She read it through yet again. Her grandfather, Sir George Hurst? She hadn’t got a grandfather called George Hurst. Her grandfathers were called Gilbert Anson-Gravetty and Norman Driver. Norman Driver, Grand'mère’s husband, had been dead now for ten years or more, but her other grandfather, Father’s father, was alive and well and living in Winchester. So who was this George Hurst? And why did the letter refer to her father as her stepfather? None of it made any sense. Had she been adopted? Were Mummy and Daddy - she seldom called him Daddy any more but when thinking of them together it sometimes still slipped out - were Mummy and Daddy not her real parents then?
Adelaide left the last of her breakfast and went out into the hall to telephone Grand'mère.
“Adelaide, my darling,” Grand'mère cried when she came onto the line, “many happy returns of the day!”
“Thanks, Grand'mère,” Adelaide said. She paused and then asked, “Can I come and see you? We need to talk.”
“Of course. But we shall see each other this evening at your birthday dinner.”
“I know, but I need to speak to you before that. Before father gets home. I’ve had a letter.”
“Ah, I see.” Antoinette Driver sounded suddenly serious. “Yes, well in that case I think you’d better come round this morning and we can have a nice chat in private. I have a luncheon engagement, but that is not until 12.30.”
“Can I come now?” Adelaide asked.
Extract
from The Ashgrove
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